I am very excited to be working with C&C Drums. Even before hearing one of their sets, I read their “mission statement” and knew that it was a set that I would love to play. After hearing many drummers play C&C drums, in many different contexts, I knew that they were going to be the set that would let me be able to play anything I could want. Once I had the chance to play one of their sets, all that I thought about them was true. They make great drums.
Now getting to work with them, having ordered my own set and having had the chance to talk with people at the company personally…I can say that I feel there is no better drum company in the world. I am thankful for this opportunity and I hope that you’ll take the time to check out their drums and learn more about them as a company. Also, a very special thank you to Natalie Prass and her team for helping me realize this dream.
From C&C’s website
“C&C Drum Co. is a small, independent company based in Gladstone, Missouri. We are comprised of musicians and craftsmen who share a common bond: the love of music. This bond connects us to our drums and the people who play them. We’ve never tried to be the flavor of the moment or cater to the latest whim. Our goal has always been to build something of lasting value. We are dedicated to making the best drums we possibly can—drums that will outlive us to become a legacy.”
You can hear some of our performances on the following links:
Today marks the 150th anniversary of the Sand Creek Massacre. I hope that we will all take a moment to read some of what happened, to reflect on what it meant to us as a nation then and on what this event continues to say about us as a nation today. Without too much editorializing, I have posted a handful of links below that you can explore.
A petition to have the name of Chivington, CO changed….
My thoughts are with the people that are still feeling the repercussions of this tragedy. My hope is that by continuing to shine light on this story, more people will gain awareness and work to affect real/lasting change in the lives of all people around the world.
I am excited to announce that on Thursday, October 30th, 2014, the ScottClark4tet, will be premiering a new work that I have written called “Bury My Heart”. I have been writing and researching this piece for quite some time and I look forward to debuting it at Virginia Commonwealth University.
“Bury My Heart” comes from a journey of self-discovery into my own ancestry and the profound impact that reading and studying the history of Native Americans has had on my life. Many years ago I began researching my family’s Native American ancestry and the history of the many tribes of North America. The way I viewed life and nature had always intrigued me; and when I began to discover my own Native American background, those views led me to intensify my research.
One of the first books that opened my eyes to these events in the history of Native Americans was Dee Brown’s Bury My Heart at Wounded Knee. (Subsequent books that had profound impacts on me included The Sand Creek Massacre by Stan Hoig, The Killing of Crazy Horse by Thomas Powers, and Trail of Tears by John Ehle and many others). The events described in these books sent me on a path of discovery and research that has inspired the songs contained in this suite of music.
Of all the events described in these books, the one that has had the biggest impact on me is the Sand Creek Massacre, in which a village of peaceful Cheyenne and Arapaho were attacked and over 100 men, women and children were killed. November 29, 2014 will mark the 150th anniversary of the Sand Creek Massacre. We are premiering this music, at VCU, as a remembrance of one of the most tragic days in American history. The history of so many Native American tribes goes completely untaught in our society. One of my hopes is that through this music, and the stories behind the music, I can do a small part to reach others who will be inspired to look further into the histories, and present-day realities, of so many tribes in North America.
I hope that you will be able to join us for this night of music…and we look forward to sharing the music with you.
Thursday October 30th, 2014
Admission is Free and open to the public
Vlahcevic Concert Hall,
W. E. Singleton Center for the Performing Arts
922 Park Avenue
Richmond, Virginia 23284-2004
you can see a small preview of the music from our performance on Virginia This Morning via the link below
also on 10/29 you can hear an interview and performance of some of the music from the suite on WCVE FM 88.9 NPR starting at 7pm. (http://ideastations.org/radio)
This concert is co-sponsored by VCU Jazz (http://arts.vcu.edu/music/events/) and the Office of Multicultural Student Affairs (<www.omsa.vcu.edu>) in anticipation of Native American History Month (November) and of the 150th anniversary of the Sand Creek Massacre (November 29).
The ScottClark4tet is:
thank you for your support….
New Band (Parallax) with Jeb Bishop, Bryan Hooten, Cameron Ralston, Bob Miller, Jason Scott and myself
I’m really excited to announce a new group called Parallax made up of many great Richmond musicians and the great trombonist Jeb Bishop from North Carolina. The group features Cameron Ralston-bass, Jason Scott-saxophone, Bob Miller-trumpet, Bryan Hooten-trombone, Jeb Bishop-trombone and myself on drums. We will be playing our first show on Tuesday August 12 at Balliceaux in Richmond, VA. The show starts at 9:30pm and it’s free.
I hope that you’ll join us for a great night of new music featuring compositions by Jeb Bishop and myself.
There will be a special set with my group the ScottClark4tet to open the night.
Thank you to everyone for your support…and I hope to see you there
Tuesday August 12th
203 N Lombardy St, Richmond, VA 23220
I’m very excited to be going into the studio this week to record some music that my band (ScottClark4tet) and I have been working on for quite some time now. The music was inspired in part by some of the events described in Dee Brown’s book “Bury My Heart at Wounded Knee” as well as many other books describing the history of Native Americans, and their dealings with white settlers and politicians. This music has been a great source of inspiration to me, and the musicians in the band have really made this music come to life over the past few months. I am really looking forward to recording this music and I am planning for debut of the suite sometime this November.
On November 29th of this year, there will be a remembrance of the Sand Creek Massacre (one of the main events that inspired this music and spawned much of my personal study on the subject). It is described by the National Parks Service as “…one of the most emotionally charged and controversial events in American history, a tragedy reflective of its time and place.”
More from the National Parks Service website about Sand Creek (http://www.nps.gov/sand/historyculture/index.htm)
“At dawn on November 29, 1864, approximately 675 U.S. volunteer soldiers commanded by Colonel John M. Chivington attacked a village of about 700 Cheyenne and Arapaho Indians along Sand Creek in southeastern Colorado Territory. Using small arms and howitzer fire, the troops drove the people out of their camp. While many managed to escape the initial onslaught, others, particularly noncombatant women, children, and the elderly fled into and up the bottom of the dry stream bed. The soldiers followed, shooting at them as they struggled through the sandy earth. At a point several hundred yards above the village, the women and children frantically excavated pits and trenches along either side of the streambed to protect themselves. Some adult men attempted to hold back the Army with whatever weapons they had managed to retrieve from the camp, and at several places along Sand Creek the soldiers shot the people from opposite banks and brought forward the howitzers to blast them from their improvised defenses. Over the course of eight hours the troops killed around 200 Cheyenne and Arapaho people composed mostly of women, children, and the elderly. During the afternoon and following day, the soldiers wandered over the field committing atrocities on the dead before departing the scene on December 1 to resume campaigning.
Since the barbarism of November 29, the Sand Creek Massacre maintains its station as one of the most emotionally charged and controversial events in American history, a tragedy reflective of its time and place. The background of the Sand Creek Massacre lay in a whirlwind of events and issues registered by the ongoing Civil War in the East and West; the overreactions by whites on the frontier to the 1862-63 Dakota uprising in Minnesota and its aftermath; the status of the various bands of Southern Cheyenne and Arapaho Indians relative to each other as well as other plains tribes; the constant undercurrent of threatened Confederate incursions; and the existing state of politics in Colorado including the intrigues of individual politicians in that territory. Perhaps most important, the seeds of the Sand Creek Massacre lay in the presence of two historically discordant cultures within a geographical area that both coveted for disparate reasons, an avoidable situation that resulted in tragedy.”
This music and these events don’t just exist in a vacuum. Many of these topics still are being dealt with today. From the debate over the Washington Redskins team name (http://cnn.it/1vtPsZQ) (also, read the comment section to see more) to History Colorado’s (the Colorado Historical Society) dealing with the upcoming remembrance of the Sand Creek Massacre (http://bit.ly/1kivPyK) or to all of the many events happening in and around the Native American community (http://bit.ly/1sLRAYA) there is a lot going on right now. I don’t claim to be an expert on all of the inner workings of what is happening now, or what has happened in the past. I have however been deeply affected by what I have learned and how it informs my own life. Through my research and through this music, I hope to share a part of my dealings with these subjects with as many people as I can. I also know that this is just the beginning of a lifelong search for more knowledge and understanding.
I am very grateful to Spacebomb Studios for allowing us to record in their great studio and specifically to Trey Pollard, Matthew E. White, Pinson Chanselle, Cameron Ralston and the rest of the Spacebomb family for helping me to realize this recording. I look forward to sharing this music with as many people as possible and as soon as possible. Most importantly, I can not thank the guys in the band (Cameron Ralston, Bob Miller and Jason Scott) enough for being so giving of their time over the past few years….and also to everyone along the way for all of your support. THANK YOU!!
I’m really excited to be heading to Chicago to play some music with some musicians that I’ve been a huge fan of for years.
To my friends in the Chicago area, I’d love to see you at these shows.
Thursday May 29
2830 N. Milwaukee Ave, 2nd Fl
Improvised Music Series
9 PM : STEIN/LONBERG-HOLM/CLARK
Richmond VA-based drummer Scott Clark makes a Chicago debut alongside two regulars on the improvised music scene.
10 PM : NICK BROSTE QUARTET
Trombonist Nick Broste presents the Elastic debut of his new working quartet.
Sunday June 1st
2319 W Belmont Ave
Chicago, IL 60618
Dave Rempis– alto saxophone
Jason Roebke- bass
Scott Clark- drums
(Nate Wooley. Photo: Peter Gannushkin)
Nate Wooley is one of my favorite musicians and people. Every time I’ve had the chance to hear him play it’s always been a treat. (his records are pretty amazing as well). For 8 issues now Nate has been writing about, and interviewing, an amazing array of musicians on varying topics related to music for a series called Sound American. (http://soundamerican.org). Each issue provides some great insight into some of the voices of many of the great musicians of our time. The latest issue is entitled “What is Jazz?” and features interviews with Joe Morris and Ken Vandermark, Tim Berne, Gerald Cleaver, Chris Corsano, Mary Halvorson, Jeff Parker, Matana Roberts and so many more great modern voices in this music called “Jazz”. It’s a great read and there are some really great insights into how so many musicians view not only the word Jazz, but also the music that the word is intended to describe.
I look forward to these issues and I love sharing them with others when they get posted.
I hope you enjoy and while you’re at it, check out all of the music that these musicians are making and help keep the music alive…..
This is a very interesting listen.
It’s not something that many of us are aware of….and I believe it’s very important to expand our understanding.
Join us for our first show of 2014.
We make our return to the Commercial Taphouse & Grill
playing all your 4tet favorites plus a few new ones.
We hope you can join us…
//……tell all yo friendz…..\\
111 N Robinson St, Richmond, VA 23220
Jason Scott -saxophone
As the year winds down, I just want to take a minute and thank everyone that I’ve had the chance to play music with this past year….and to thank all of the friends that I’ve been able to make all around the world. It’s been an amazing year, and I’m looking forward to even more exciting things in the coming years.
There has been a lot of great music released this year in RVA and I hope that you’ll check out some of these great records/musicians and keep supporting the RVA music and art communities. We have a very special group of people in our city, doing some truly great and inspiring things.
Here are just a few records, and people, that I hope you’ll check out. I look forward to seeing, and hearing, more from them in the years to come.
“Yes we done come a long way like them Slim ass cigarettes
from Virginia, this ain’t gon stop so we just gonna continue”
Marcus Tenney Trio
Devonne Harris aka DJ Harrison
NO BS! BRASS
Matthew E. White
32 Bar Records
JJ Burton (Devonne Harris, Reggie Pace and Scott Burton)
Glows in the Dark
Fight the Big Bull
Trey Pollard and Straight Ahead Samples
…….plus many many many more